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Facts and Tales

No. 2 (2022): Learning to See

Odin Teatret revisité

Submitted
October 24, 2022
Published
2022-10-24

Abstract

This is an excerpt of the article by Liliana Alexandrescu that was published with the same title in the Romanian journal Dramatica 1/2014, “Eugenio Barba. Celebrating 50 years with Odin Teatret.” Studia Universitatis Babes-Bolyai, pp. 157-182. After two meetings with Eugenio Barba and Odin Teatret’s actors, in 1976 and in 1981, the author visited Odin Teatret’s home and was fascinated by Barba’s and his actors’ working model. In 1985, Alexandrescu attended the ISTA symposium held in Malakoff, France, 20th-21st April 1985. The paper presents the symposium, enriched by original notes taken by the author.

References

  1. Barba, Eugenio. 1990. Théâtre. Solitude, métier, révolte. Présenté par Lluís Masgrau. Traduit de l’italien par Éliane Deschamps-Pria. Montpellier : L’Entretemps.
  2. Barba, Eugenio. 1993. Le canoë de papier. Traité d’anthropologie théâtrale. Traduit par Eliane Deschamps- Pria. Lectoure : Bouf- foneries.
  3. Barba, Eugenio. 2011. Brûler sa maison. Origines d’un metteur en scène. Traduit de l’italien par Eliane Deschamps-Pria. Montpellier: L’Entretemps.
  4. Barba, Eugenio, and Nicola Savarese. 1983. Anatomia del teatro. Un dizionario di antropologia teatrale. A cura di Nicola Savarese. Dall’International School of Theatre Anthropology diretta da Eugenio Barba. Firenze : La Casa Usher.
  5. Barba, Eugenio. 1985. Anatomie de l’acteur. Lectoure: Bouffonneries Contrastes.
  6. Barba, Eugenio. 2008. L’Énergie qui danse. Un dictionnaire d’anthropologie théâtrale. Ilème édition revue et augmentée. Montpellier: L’Entretemps.
  7. Théâtre 71. 1985. Le Maître du regard. Cahier-programme. Malakoff.